The film sparked an energetic discussion among the researchers, designers, NGO workers, activists and students who attended this event. Ana Rego, a doctor and an activist, who has worked in countries such as Afghanistan, Sudan, Ethiopia, Zimbabwe and East Timor debated the possibilities of info-activism in areas with poor infra-structure. One audience member, Ricardo Lafuente, found inspiration in one particular example from the film which highlights the importance of transparency and democratic participation. He urged the audience to explore what is needed for Portugal to launch a project like 
Before the screening, Ricardo together with Ana Carvalho facilitated a workshop around the possibilities of free editing software. Both Ricardo and Ana Carvallio are part of the free culture group, Hacklaviva, and have been, together with JUP, building an innovative editing room. They have designed it in such a way that all aspects of press production – including photography, graphics, typography, layouts, audio and video editing – can be done in this editing room using only free software.
The event ended with a visit to see a multimedia installation by Rebecca Moradilazeh which was being exhibited at an art gallery nearby. All in all, Sara says, the day was very inspiring and she likes to think of it as, how one audience member described it, having created a “bunker of ideas.” All those who attended enthused about all the new ideas they'd gathered and expressed a commitment to creating their own strategies for info-activism in Portugal.“The [10 tactics screening in Sydney] was a great opportunity to consider the use of new technologies and those present in our day to day lives in campaigning for social change and defending human rights. It also brought together our community of like-minded organisations and individuals working in Sydney together in a human rights movement. I’m still hearing from people who’d like to get a copy of the film, or come along to another screening as word spreads to others’ contacts in the field.”
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