TACTIC 5: VIDEO


PROVOKE A SMILE

just add humour

download this tactic card (pdf 672kb)


watch the full video


THIS TACTIC IS GOOD FOR REACHING OUT TO DIVERSE AUDIENCES AND FOR ENCOURAGING PEOPLE TO SPREAD YOUR MESSAGES

 

EXAMPLES FROM THE VIDEO

Remixed Presidential Poster image

FREE EGYPT YOUTUBE CHANNEL

  • Remixed Presidential Posters

Artists and Advocates in Egypt

Egyptians remixed images of President Mubarak into popular film posters. The images spread quickly on the internet. The humour in the posters took away from Mubarak’s mystique, and allowed people who did not think of themselves as activists to stand up to their President, even in a joking way. 

 

TOOLS USED: Digital photo editing software, Facebook, blogs, email, YouTube.

 

LINKS TO LEARN MORE:

Video slideshow on Youtube


Karaoke Videos for Human Rights image


  • Karaoke Videos for Human Rights

Asia Pacific Network of Sex Workers

Responding to laws that discriminate against them, sex workers produced satirical karaoke videos using prominent political figures as characters. By screening these videos at bars, clubs, and parties, sex workers educated each other in their own workplaces. The videos were also shown at advocacy meetings and conferences to expose policy-makers to sex worker communities and issues. One video received nearly 10,000 views online. 

 

TOOLS USED: Digital video cameras, video editing software, blip.tv, YouTube, blogs.

 

LINKS TO LEARN MORE:

Asia Pacific Network of Sex Workers blog

One Whore music video on Youtube


Advocates in Belarus

Belarusians created a group of websites they called LuNet, in mock honour of President Alexander Lukashenko’s birthday, after he promised to increase internet censorship. Two of the LuNet sites were called LuJournal and LuTube, instead of LiveJournal and YouTube, and they were packed with government propaganda amid ironic posts. This drew attention to internet censorship and the detention of bloggers for political purposes.

 

TOOLS USED: Blogs, LiveJournal, YouTube.

 

LINKS TO LEARN MORE:

Fromlu website

Video interview about LuNet

‹ TACTIC 4: CASE STUDY

TACTIC 5: PLAN YOUR ACTION


PROVOKE A SMILE

just add humour

download this tactic card (pdf 672kb)

Egyptian Poster Campaign image
WWW.TANTAWY.TK

Plan your action

  • Even when using humour, it is best to match your campaign's tactics to the strengths of the people you want to mobilise. The Egyptian poster campaign took advantage of young people’s knowledge of how to edit images together and their desire to spread funny images on the internet.
  • With the LuNet actions, no one person or campaign was in charge. This led to many more people being able to participate in making and sharing parody images and websites, and decentralised the image-making so that no one person bore all the risk of satirising a powerful figure.
  • The kinds of messages you can communicate in an informal setting – like a karaoke bar or pub – can be very powerful in reducing people’s fear and getting them to feel included in the issue. The same is true for basing your action in places where people socialise online.
  • Having a good time and getting social recognition can be an effective motivator. As part of remixing President Mubarak into movie posters or creating President Lukashenko’s internet, people left comments for each other on their social network site profiles, blogs, and video and photo sharing websites with positive feedback on each new image they posted. This informal reward for being part of a campaign can keep people invested in even a very challenging or serious issue.

Do it yourselfAsk

  • Will you be asking people to make things – images, videos, cartoons – as part of your campaign? How will you share them online and what do you need to do protect people’s anonymity?
  • It can be difficult to keep track of all the images and videos people make as part of a humour or parody campaign. How will you archive people's contributions?
  • How will you balance respect for the people involved in the issues with the satirical content? How much can you joke and still be trustworthy to people?
  • Are there serious consequences in the regions you are working in for those who criticise the government and others in positions of power?
  • Will you directly approach the media to publicise your actions and your campaign?
  • What relationship does your spontaneous or parody campaign have with rights organisations doing more 'traditional' campaigning? Should you try to connect with those organisations in any way?
  • How will you bridge the gap between people's online posts with offline actions?

Different ways you can do this

  1. If you can’t use Twitter or another service to send messages to a group to coordinate an action quickly, or you need to keep communication more private, send text messages directly to your supporters’ mobile phones. Sex workers have done this to create a flash mob of open red umbrellas – their campaign symbol – in front of public administration buildings with just a few hours notice.
  2. You can spread messages using mobile phone ringtones. After the 2004 election in the Philippines, a ringtone was made which used a recorded phone conversation with the President that appeared to provide evidence of vote-rigging, and this was re-mixed with music. It became one of the world’s most downloaded ringtones. One organisation provided the supposed original phone recording and invited people to create their own ringtone remixes.
  3. Use remixed or parody images that have been posted to blogs and social network sites for your campaign by adapting them to create street art, posters, and handbills.
  4. In addition to creating parody websites like LuNet, you can make parody news websites that critique the censored media, and also give practical information and facts in a clever or surprising way.

 

TACTIC 5: CASE STUDY


PROVOKE A SMILE

just add humour

download this tactic card (pdf 672kb)

Belarus flash mobs image
 

Case Study

TITLE:
WHO
:
WHERE:
WEBSITE:
Flash mobs in Belarus
Belarusian advocates
Public squares in Belarus, 2006
Belarusian Flash Mob Community

DESCRIPTION
In a response to the contested Presidential elections in Belarus in 2006, advocates used the internet to organise gatherings to oppose President Lukashenko's administration. The gatherings they organised were 'flash mobs' – brief, sudden actions performed by a large group of people who assemble in a public place before quickly dispersing. These flash mobs were mostly organised a day or two before they happened through websites, blogs, SMS, and online chat programmes. They had special significance in Belarus because unauthorised group public actions are prohibited by the government. At one flash mob, 40 to 50 people entered a public square eating ice creams, humourously drawing attention to the restrictions on the right to public gatherings. While the young people involved had done nothing except eat ice cream together, several were arrested. Others took photographs of the arrests and these circulated widely on LiveJournal and other websites. The flash mob received significant international media attention. Zhenya Mantsevich, a journalist and blogger in Belarus, says, "The result of the flash mobs was that many people saw how cruel and stupid our authorities can be, if they detain even people eating ice cream. People saw that something is wrong in our society."

 

TOOLS USED:

Both personal and community pages on LiveJournal. ICQ (chat programme). Text messages on mobile phones.
REACH: 12 flash mobs as a reaction to the 2006 elections, with 100-200 people at the most well-attended flash mobs. Most participants were from Minsk.
RESOURCES: Internet access and mobile phone access for the people who gathered.
TIME: Anywhere from a few hours to a few days to coordinate enough people for the flash mob, but not more than that, as word could reach authorities if too much time is taken to announce the gathering.

LEVEL Of DIFFICULTY: 1

 

COST: Free, with small individual cost of sending text messages via SMS.

 

LINKS TO LEARN MORE:

Blogs & photos

Article

and more critical analysis